Whether you’ve grown tired of what came with your Sony mirrorless camera, or want to start photographing different subjects, a new lens is probably in order. Whether you’re looking to take close-ups, sports photos or interiors, we’ve got some suggestions to make your decision a bit easier.
For each type of lens in this buying guide we’ve chosen the one which offers the best combination of performance and value, as well as other options for those on a budget or for whom money is no object.
Sony mirrorless cameras all use the same ‘E-mount’, with ‘E’ lenses designed for APS-C-sized sensors and ‘FE’ lenses for full-frame models. Use the guide below to see which type of camera you have:
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I own a camera with an ‘APS-C’ sensor, such as:
Unsure? Use the photo above as a guide. APS-C cameras have smaller sensors, the corners of which don’t extend to the lens mount. |
I own a camera with a ‘full-frame’ sensor, such as: On these models the corners of the sensor extends all the way out to the lens mount. |
View our recommendations >> | View our recommendations >> |
While Sony E (APS-C) lenses can be used on full-frame bodies, a 1.5x crop with be applied automatically. Should you turn off this crop feature, then vignetting will be an issue. Full-frame lenses can be used on APS-C bodies without issue.
The Canon EOS R6 doesn’t quite live up to the full promise of its do-everything specs, but it’s a great photographers’ camera.
The Olympus OM-D E-M10 IV is the company’s entry-level DSLR-shaped mirrorless camera. While it has a higher resolution sensor and new processor, its biggest focus is on selfies.
The Sony a7S III is a 12MP full-frame camera primarily designed with video in mind. We take a look beyond the specs to see what it offers to filmmakers.
The Olympus OM-D E-M1 Mark III is our favorite Micro Four Thirds camera for stills shooters to date. It jam-packs plenty of cool/useful features into a small, tough-built package that’s a pleasure to shoot with and thus, has earned our silver award.