Nikon’s new Z 50mm F1.2 S is a fast, versatile prime lens for the full-frame Z-series. Optical construction is complex, with 17 elements arranged in 15 groups, including three aspherical elements and two ‘ED’ extra-low-dispersion elements, and both Nikon’s Nano Crystal Coating and the newer ARNEO coating for flare, ghosting and coma suppression.
All of this makes the Z 50mm F1.2 a seriously big, seriously pricey lens, but does its performance justify its cost? Take a look at our samples gallery to find out.
Fujifilm’s latest X-S10 is a likeable mirrorless camera with some of the company’s best tech packed inside, and it doesn’t cost the earth. We think it could be a good fit for photographers of all kinds – find out more in our full review.
The Nikon Z6 II builds on the well-rounded stills and video features of its predecessor, with the addition of dual processors, two card slots and the option to add a full battery grip. It’s a subtle evolution but enough to keep the $2000 Z model competitive.
The SL2-S marks Leica’s entry into the stills/video hybrid market. At this point it’s very much a cheaper SL2, though its future looks bright, as you’ll learn in our initial review.
As a neat little diffuser that has a gigantic impact on the quality of the light from a hotshoe flash unit, the Hähnel Lantern creates a dramatically wide spread of soft illumination.