| The new LOG capture modes in FiLMiC Pro provide additional post-production flexibility. |
FiLMiC Pro, an iOS video capture app, has released an update that now enables additional LOG capture modes with an in-app purchase, as well as support for Frame.io’s new Camera to Cloud (C2C) technology.
FiLMiC Pro version 6.19.0 now supports Flat + and Log V3 + gamma curves when shooting ProRes 709 video on compatible iPhone models after being unlocked as part of FiLMiC Pro’s CineKit in-app purchase ($ 13.99). These additional gamma curve options give creators yet another option to choose from when shooting to best match their color workflow requirements.
Also new is support for Frame.io’s new Camera to Cloud (C2C) feature, which allows you to capture video and immediately upload a proxy of that footage to Frame.io’s cloud platform so you and your team can immediately start parsing through the video without needing to manually offload and upload it first.
FiLMiC Pro is offering three Proxy Quality settings of 720p (1.5Mbps), 1080p LQ (3Mbps) and 1080p HQ (10Mbps). You can select whether you want the proxies to be uploaded automatically, when prompted or turn off entirely for manual uploading at a later time. This feature will work over both Wi-Fi and 4G / 5G cellular, although you can limit it to Wi-Fi so you don’t tear through cellular data.
For owners of FiLMiC Pro who’ve purchased the CineKit in-app purchase, this update is free. If you own FiLMiC Pro but not the CineKit upgrade, you can purchase it via an in-app purchase for 13.99. If you don’t have FiLMiC Pro at all, you’ll need to first purchase it for 14.99 in the iOS App Store before making the in-app purchase to unlock these new features and more.
One of our favorite things about Micro Four Thirds is the variety of tiny, sharp lenses. How does OM System’s compact 40-150mm F4 Pro lens hold up under scrutiny?
The Nikon Z9 uses a stacked CMOS sensor to power its first pro-level mirrorless camera. With firmware 2.0 now available, we’ve reviewed the fast-shooting stills and video camera designed to win-over Nikon’s professional DSLR users.
The Monster Adapter LA-KE1 gives Pentaxians a way to use many of their K-mount lenses with full AF on Sony E-mount mirrorless bodies. Mike Tomkins looks at how it performs.
Laowa has just announced a new 20mm shift lens, and we were able to put it through its paces in downtown Calgary.
Rotolight’s new NEO 3 and AEOS 2 lights may be more powerful than their predecessors, but they go one step further, providing millions of colorful lighting options via a touchscreen display.
What’s the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we’ve rounded-up several great cameras for shooting landscapes, and recommended the best.
If you’re looking for the perfect drone for yourself, or to gift someone special, we’ve gone through all of the options and selected our favorites.
What’s the best camera for around $ 2000? These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $ 2000 and recommended the best.
Most modern cameras will shoot video to one degree or another, but these are the ones we’d look at if you plan to shoot some video alongside your photos. We’ve chosen cameras that can take great photos and make it easy to get great looking video, rather than being the ones you’d choose as a committed videographer.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we’ve chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
